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Zana Masombuka, Nges’rhodlweni: Ukurhuphula 4, 2023 -
El Anatsui, One Teaspoon Daily, 2022
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Romuald Hazoumè, Pintade, 2022
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Golnaz Fathi, Untitled, 2022
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Rachid Koraïchi, From the series Lachrymatoires Bleues - Blue Lachrymatory Vases (vii), 2020
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Benji Reid, Can't be Washed Away, 2019
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LR Vandy, Claret and Brass, 2019
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Ablade Glover, Orange Profile I, 2019
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Jordan Ann Craig, New Home; large, 2018
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Tian Wei, Eros, 2017
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Sokari Douglas Camp, Butterfly Head, 2016
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Govinda Sah 'Azad', Matter/Nothing/Matter, 2015
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Naomi Wanjiku Gakunga, Tuwawili - Two of us, 2015
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Sylvie Franquet, Persian Love Birds, 2014
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Nnenna Okore, Would We Ever know?, 2011
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Hassan Massoudy, Celui qui accorde..., 2007
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Elisabeth Lalouschek, Colour of Dance, 2001
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Laila Shawa, Towards Liberation, 1994
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Kenji Yoshida, La Vie, 1987
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Gerald Wilde, Green Abstract, 1984
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James Barnor, Student, Accra Girls Secondary School, 1979/80
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Brion Gysin, William Burroughs near the Beat Hotel, Paris, La Palette 'Junky Cafe', rue de Seine (Naked Lunch Launch series, Paris, October 1959), 1959
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William S. Burroughs, Untitled, 19 Jan 1992
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William S. Burroughs, Untitled, c. 1990
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Aubrey Williams, Untitled, c. 1959
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El Anatsui, Dakawo, 2023
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Zana Masombuka, Nges’rhodlweni: Ukurhuphula 3, 2023
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Romuald Hazoumè, Rossy, 2022
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Golnaz Fathi, Untitled, 2021
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Alexis Peskine, Safara (Fire/Hell), 2020
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Benji Reid, Things I've Imagined, 2019
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LR Vandy, Top Brass, 2019
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Jordan Ann Craig, New Home; small, 2018
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Tian Wei, Link, 2017
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Nnenna Okore, Unleashed, 2017
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Govinda Sah 'Azad', Above the Mountains, 2016
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Naomi Wanjiku Gakunga, Bridges Not Walls, 2015
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Ablade Glover, Prayer I, 2015
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Sokari Douglas Camp, Primavera, 2015
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Hassan Massoudy, Earth is my country and humanity my family. Gibran (1883-1931), 2014
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Sylvie Franquet, The Storm is on the Horizon, 2013-16
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Kenji Yoshida, Inochi To Heiwa (Life and Peace), 2004
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Rachid Koraïchi, Fragments d'Écriture - Fragments of Script, 2003
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Elisabeth Lalouschek, Rupture of Time, 2001
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Laila Shawa, Passages to Freedom, 1994
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Gerald Wilde, Red Abstract (0-26), 1984
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James Barnor, Sunday, Outside Studio EX 23, 1975
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Brion Gysin, William Burroughs with Maurice Girodias (Naked Lunch Launch series, Paris, October 1959), 1959
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William S. Burroughs, The Ripper Strikes Again: Note Two Bobbies in Upper Left of Picture, c. 1990
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Zana Masombuka, Nges’rhodlweni: Ukurhuphula 6, 2023
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Romuald Hazoumè, Tantalite Poussée, 2022
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Golnaz Fathi, Untitled, 2021
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Alexis Peskine, Sequita, 2020
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Benji Reid, Air Bending, 2019
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Jordan Ann Craig, Orange-Red Dyed Quills; Print, 2019
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LR Vandy, Pale Blue and Pink, 2019
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Sylvie Franquet, Hornicopia, 2018
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Hassan Massoudy, Even if happiness forgets you occasionally, never forget it completely. Jacques Prévert (1900-1977), 2016
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Govinda Sah 'Azad', From Nothing, 2016
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Ablade Glover, Prayer II, 2016
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Naomi Wanjiku Gakunga, Redefining Boundaries, 2015
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Tian Wei, Black, 2013
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Nnenna Okore, Never Hurry the Sunrise, 2013
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Sokari Douglas Camp, Jesus Loves Me, 2012
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Kenji Yoshida, La Vie, 2008
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Elisabeth Lalouschek, Elegiac, 2001
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Rachid Koraïchi, Path of Roses - Le Chemin des Roses, complete installation, 1995-2005
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Laila Shawa, Coke is it!, 1994
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El Anatsui, Leopard Cloth, 1993
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Gerald Wilde, Yellow Abstract, 1984
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Ira Cohen, Krishna Ma, 1976
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James Barnor, Odd Fellows Lodge, 1975
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Aubrey Williams, Untitled, 1959
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Brion Gysin, William Burroughs in front of the Beat Hotel, Paris, sign: Mme Rachou, proprietress (Naked Lunch Launch series, Paris, October 1959), 1959
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Aubrey Williams, Untitled, c. 1974
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Zana Masombuka, Nges’rhodlweni: Nges’buyeni 2, 2023
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El Anatsui, Profile, 2023
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Golnaz Fathi, Untitled, 2022
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Romuald Hazoumè, Vintage, 2021
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Alexis Peskine, WouliTa (Harvest Fire), 2020
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